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Carlo Di Palma
Highest Rated: 100% The Clowns (1970)
Lowest Rated: 40% The Monster (1994)
Birthday: Apr 17, 1925
Birthplace: Rome, Lazio, Italy
First gained prominence for his striking color photography on Michelangelo Antonioni's "Red Desert" (1964) and "Blow-Up" (1966). Di Palma's other notable collaborations include Elio Petri's debut feature "The Assassin" (1961). More recently, he has worked on several films directed by Woody Allen, including "Hannah and Her Sisters" (1986), "Radio Days" (1987), "Husbands and Wives" (1992) and "Bullets Over Broadway" (1994). Di Palma made his directing debut with "Teresa la ladra" (1973), photographed by his nephew, Dario di Palma ("The Clowns" 1970, "The Seduction of Mimi" 1972, etc.).
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 73% | 82% | Deconstructing Harry | Cinematographer | $10.7M | 1997 |
| 77% | 68% | Everyone Says I Love You | Cinematographer | $9.7M | 1996 |
| 78% | 73% | Mighty Aphrodite | Cinematographer | $4.8M | 1995 |
| 95% | 83% | Bullets Over Broadway | Cinematographer | $11.4M | 1994 |
| 40% | 83% | The Monster | Cinematographer | $635.6K | 1994 |
| 94% | 83% | Manhattan Murder Mystery | Cinematographer | $10.5M | 1993 |
| 71% | 57% | Alice | Cinematographer | $6.8M | 1990 |
| 92% | 84% | Radio Days | Cinematographer | $11.1M | 1987 |
| 91% | 90% | Hannah and Her Sisters | Cinematographer | $37.3M | 1986 |
| 60% | 56% | Identification of a Woman | Cinematographer | - | 1982 |
| No Score Yet | No Score Yet | Blonde in Black Leather | Director | - | 1975 |
| No Score Yet | No Score Yet | Teresa the Thief | Director | - | 1973 |
| 100% | 76% | The Clowns | Cinematographer | - | 1970 |
| 87% | 84% | Blow-Up | Cinematographer | - | 1966 |
| No Score Yet | No Score Yet | Three Faces of a Woman | Cinematographer | - | 1965 |
| 94% | 85% | Red Desert | Cinematographer | - | 1964 |
| No Score Yet | No Score Yet | Liolà | Cinematographer | - | 1964 |
| No Score Yet | 87% | The Assassin | Photographer | - | 1961 |